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International Play Development

The Royal Court Theatre works with hundreds of playwrights across the world. All plays submitted to the international department are read in the original language by a team of appointed readers. The department then commissions translations of plays selected for further development. The department has pioneered the use of theatre practitioners as translators and the integral involvement of the translator in the play development and rehearsal process. Many of the translations are eventually published.

The theatre also runs long-term play development projects in many different countries, helping to stimulate new writing and bringing many of these writers and plays to London for further work and sometimes productions. At any one time, the International Department will be working with dozens of playwrights through specific projects. Long-term play development relationships now exist through projects and exchanges with writers from:

Brazil

The Royal Court has been working with Brazilian theatre makers since Beatriz Bologna attended the International Residency in 1995. Since then, we have worked with write…

Colombia

We have been working with Colombian playwrights since 2000 when Ana Maria Vallejo attended the International Residency. …

Cuba

We began working with emerging Cuban playwrights in 2002 when Elyse Dodgson visited new theatre companies across Cuba following an invitation by the British Council and t…

France

The Royal Court’s relationship with French playwrights goes back to 1956, when we produced The Chairs by Eug…

Germany

The Royal Court has been producing new German plays since The Good Woman of Setzuan by Bertolt Brecht in 1956 and the Royal Court’s exchange with German writers has bee…

India

In 2001, the Royal Court ran a two-week residency workshop for writers from India and Sri Lanka, organised in collaboration with the British Council and the Artistes Repe…

Ireland

The Royal Court’s relationship with Ireland goes back to W.B. Yeats, Samuel Beckett and Sean O’Casey, whose plays were all seen here in the first few years of the Eng…

Mexico

A new project in collaboration with the British Council and the Centro Cultural Hélenico in Mexico City began in 2004. Writers from all over the country took part in a w…

Near East and North Africa

In spring 2007, the Royal Court and the British Council started a unique new project across the Near East and North Africa. Twenty One writers from Egypt, Jordan, Lebanon…

Nigeria

The Nigerian playwright and Nobel Prize winner Wole Soyinka was first produced at the Royal Court in 1959.…

Palestine

The Royal Court has been working in the West Bank since 1995. Relationships have grown with Palestinian writers and theatre companies, in particular Al Kasaba in Ramallah…

Romania

The Royal Court has been working with Romanian writers since 1997 when Elyse Dodgson, director Mary Peate and playwright Rebecca Prichard travelled to Bucharest to run wo…

Russia

In 1999, Literary Manager Graham Whybrow took part in the first seminar on new writing in Russia, organised by the British Council Moscow and the Golden Mask Theatre Fest…

Spain

The Royal Court has been working with Spanish writers and directors since 1993 and has a partnership with three theatres: Sala Beckett in Barcelona, Cuarta Pared in Madri…

Syria

The Royal Court began working with Syrian writers in 2006 when Laila Hourani from the British Council in Syria approached playwright David Greig and asked him to lead a p…

Uganda

The Royal Court first became involved with theatre practitioners in Uganda in 1992 and, since then, many Royal Court playwrights and directors have run workshops there.…

USA

The first American plays to be presented by the English Stage Company were The Crucible by Arthur Miller and The Member of the Wedding by Carson McCullers in 1956 and 195…

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