If You Don't Let Us Dream, We Won't Let You Sleep

Select a Date

Date	Time	Venue	Notes	Prices	Booking Link
Available Performances
Dates in February
Fri 15 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Sat 16 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Mon 18 Feb	7:30pm		Jerwood Theatre Downstairs	£10
Tue 19 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Wed 20 Feb	7:00pm	Press Night	Jerwood Theatre Downstairs	Press Night
Thu 21 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Fri 22 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Sat 23 Feb	2:30pm	Concessions Available, Saturday Matinees	Jerwood Theatre Downstairs	£28, £20, £12
Sat 23 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Mon 25 Feb	7:30pm		Jerwood Theatre Downstairs	£10
Tue 26 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Wed 27 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Thu 28 Feb	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Dates in March
Fri 1 Mar	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Sat 2 Mar	2:30pm	Concessions Available, Audio Described Performance, Saturday Matinees	Jerwood Theatre Downstairs	£28, £20, £12
Sat 2 Mar	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Mon 4 Mar	7:30pm		Jerwood Theatre Downstairs	£10
Tue 5 Mar	7:30pm	Post-Show Talk	Jerwood Theatre Downstairs	£28, £20, £12
Wed 6 Mar	7:30pm	Captioned Performance	Jerwood Theatre Downstairs	£28, £20, £12
Thu 7 Mar	2:30pm	Concessions Available, Mid-Week Matinee	Jerwood Theatre Downstairs	£28, £20, £12
Thu 7 Mar	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Fri 8 Mar	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Sat 9 Mar	2:30pm	Concessions Available, Saturday Matinees	Jerwood Theatre Downstairs	£28, £20, £12
Sat 9 Mar	7:30pm		Jerwood Theatre Downstairs	£28, £20, £12
Sold out Performances

Reviews

Andrzej Lukowski, Time Out, 21 February 2013
“It has the tang of the real stuff, and for its first half it rattles by in an exhilarating flood of bile and wit, as Lustgarten conjures a blackly comic near future in which the moneymen (and women) have trashed everything. It’s shouty and splenetic, but the short scenes keep things feisty, fiery and free of undue pontification.”

Michael Billington, The Guardian, 21 February 2013
“Anders Lustgarten’s polemical bombshell”

“Simon Godwin’s production whisks us through Lustgarten’s lightning tour of contemporary capitalism with great skill. There is good work from the cast, including Meera Syal as both a privatising zealot and a militant protester, Susan Brown as a pensioner driven to direct action and Lucian Msamati as a victim of racial assault who turns into a pawn of the establishment.“

Henry Hitchings, The Evening Standard, 21 February 2013
“It is important and Lustgarten, the Oxford-educated son of two American academics, is a fierce writer whose activism blends intellectual curiosity and idealism.”

“Whatever you make of Lustgarten’s ideas, there are some stinging lines.”

“Daniel Kendrick is strong as Ryan. Elsewhere, Ferdy Roberts exudes menace, and there’s vivid work from Lucian Msamati and Meera Syal”

Paul Taylor, The Independent, 21 February 2013
“Performed by a game, multi-tasking cast in Simon Godwin’s starkly stripped-back 75-minute production,”

“Lustgarten’s disgust is bracing as he begs to differ, big-time”

Kate Kellaway, The Observer, Sunday 24 February 2013
“A first-rate, multi-tasking cast, authoritatively directed by Simon Godwin, play bankers, businessmen, nurses, health and safety officers, agitators… They make you think, flinch and laugh. There is a wild-card humour here”

Michael Coveny, What’s On Stage, 21 February 2013
“The Occupy London encampment and the Tottenham riots are the cultural lodestones for this play, not the works of other playwrights, and this lends it freshness and a direct appeal that should contribute to a debate beyond the confines of the Court’s downstairs bar.”

“I like the cut of Lustgarten’s jib, the tiger in his tank, and he’ll be saying a lot of things that haven’t been heard in our theatre for a long time. He could even be lining himself up as the first genuinely intellectual left-wing dramatist since Trevor Griffiths and David Edgar.”

“There’s lovely work by Laura Elphinstone in a variety of roles, and by Filter Theatre’s Ferdy Roberts as a banker in red braces called James Asset-Smith and the no less delightfully named activist, Zebedee.”

Philip Fisher, The British Theatre Guide, 21 February 2013
“The inaugural Harold Pinter Playwright’s Award would surely have made the man in whose memory it has been introduced proud. The new prize has unearthed an absolute gem, fizzing with political passion and ideas.”

“Under the direction of Simon Godwin, If You Don’t Let Us Dream, We Won’t Let You Sleep is perhaps the most powerful piece of political theatre that has appeared for some years.”

“It should confirm Anders Lustgarten as one of Britain’s hottest young writers”

Helen Babbs, The Londonist, 22 February 2013

“Punchy and polemical. The fast-paced script is laced with things that will make you shudder.”

“In the current climate of swingeing cuts and stealth privatisation, and tax breaks for the rich, If You Don’t Let Us Dream, We Won’t Let You Sleep is political theatre that demands we open our eyes before it’s too late. It’s a piece of social commentary that you should invite your most right-wing friend too, and then debate for hours afterwards in the pub.”

Paul Mason, Economics Editor BBC Newsnight, 5 March 2013
“Like all dystopias, the power of this play is that it shows how mundane and casual a descent into the abyss might look, and with what familiar bureaucratic language. This is what makes it a signal play for its time: because it is this massive distrust of finance, and of the political influence of high finance, that has become real, pervasive, almost second nature to many people now”

“Lustgarten demonstrates an ear for what’s happening in parts of Britain, and how the relentlessness of economic crisis – even if it is no longer sharp or deep – eats away at people’s hope, patience and decency.”

“The significance of “If You Don’t Let Us Dream…” is that it’s the first high-impact play about the crisis, staged at a major theatre, where the action has moved decisively from men in suits to men in trackpants.”

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