Upstairs Downstairs: Free Outgoing
By Anupama Chandrasekhar
2 July - 19 July 2008
Jerwood Theatre Downstairs
Tickets: £25, £15, £10. Mondays all seats £10. Concessions £10. (ID required, not bookable online. Subje
Next Production: Gone Too Far! on Tour
Following their sold-out success in the Jerwood Theatre Upstairs, three Royal Court productions return in the Jerwood Theatre Downstairs.
Just one text message. That’s all it took for Deepa to be hated by the nation.
Anupama Chandrasekhar’s debut cleverly exposes several contradictions at the heart of 21st century Indian society.
— Metro
When a well-behaved Indian girl is filmed having sex in her classroom, the video clip spreads like a virus. Transmitted from person to person and across the globe it infects firstly the local community and then seemingly the entire world with a burning moral outrage.
Free Outgoing sets the rampant technology of the modern world against the conservatism of an ancient culture.
Chandrasekhar writes with both economy and power… Lolita Chakrabarti gives a deeply unsettling performance
— Daily Telegraph
A gripping and insightful story
— Time Out Critics Choice
Director Indhu Rubasingham,
Designer Rosa Maggiora
Lighting Mark Jonathan
Sound by Christopher Shutt
Cast includes Ravi Aujla, Lolita Chakrabarti, Raj Ghatak, Shelley King, Shaheen Khan, Amit Shah
International Playwrights: A Genesis Project
| Date | Time | Venue | Notes | Prices | Booking Link |
|---|---|---|---|---|---|
Dates in July |
|||||
| Wed 2 Jul 2008 | 12:00am | Jerwood Theatre Downstairs | |||
£25, £15, £10. Mondays all seats £10. Concessions £10. (ID required, not bookable online. Subject to availability.)
Anupama Chandrasekhar
Writer
Indhu Rubasingham
Director
Rosa Maggiora
Designer
Mark Jonathan
Lighting
Christopher Shutt
Sound
Reviews
4 stars Nicholas De Jongh, Evening Standard, Monday 14th July
VERY INDIAN SCANDAL AT FREE OUTGOING
“In 80 minutes and nine scenes treading delicate lines between comedy and pathos Chandrasekhar shines a light on the city of Chennai, where water keeps running out and the quality of mercy falls dangerously below humanity-level.
When teenage Deepa, who remains an unseen suffering presence, has been suspended from school for after-hours sex in the classroom, her rebellious 16-year-old brother, Sharan, and her widowed accountant mother, Malini, struggle to resist the importunings of encamped television reporters and a tenants’ association that gives them a day’s notice.
Desperate though the situation is, notes of rueful humour keep being heard. Malini imagines she can somehow discover her long-lost brother on the internet. Will her accountant colleague, the creepy, sexually dubious Ramesh, give a disguised Deepa refuge in his mother’s home? But the forces of intolerance win out. In Indhu Rubasingham’s beautifully poised production of this important play Lolita Chakrabarti’s Malini makes a powerful, heartfelt impression as the conflicted mother, eventually beaten down by the forces of darkness.”
Lyn Gardner, Observer, Thursday July 10th
“Anupama Chandrasekhar’s Free Outgoing is a Royal Court’s single espresso: short and pungent. A Chennai schoolgirl is filmed having sex with a classmate: when the images are broadcast, her family is regarded as ruined.
The co-existence of conservative values and hi-tech looks paradoxical at first. But Indhu Rubasingham’s production unwinds at a pace that carries you along, and has a strong central performance by Lolita Chakrabarti. It ends on a clever surprise and contains a shrewd embodiment of that apparent paradox in a piece of casting. Shaheen Khan skilfully doubles as traditional neighbour, all sari and spite, and poisonous bouffant-haired telly presenter. Hard to say whether the repressive or the blaring profile is more disagreeable.” 4 stars Sarah Hemming, Financial Times, Sunday 13th July
“Chandrasekhar’s witty play (first shown at the Theatre Upstairs) astutely dramatises a changing India, pinpointing the clash between traditional values and enthusiasm for new technology. When she learns of Deepa’s transgression, Malini rages around the flat destroying all the gadgets that represent the invasion of western immorality. But it is too late; the genie is out of the bottle. And without ever moving outside the flat, Chandrasekhar depicts a society riven with contradictions: two pupils were involved in “the act”, only one is hounded; everyone has a mobile but the water comes on a lorry; moral opprobrium mixes with salacious interest; notoriety becomes celebrity.
The play fields a wonderful central part in Malini, which Lolita Chakrabarti’s fine performance embraces. She portrays a resourceful, spirited woman who is gradually ground down into offering a cowed plea for forgiveness on national television. The play skilfully homes in on hypocrisy and enthusiasm for scandal. Malini’s creepy colleague (excellent Raj Ghatak) can’t resist a peep at the notorious schoolgirl and the audience is tantalised. We long to see Deepa and are denied: a smart move in a smart play.”

